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The Indian women's cricket team, so long neglected and generally ignored by the cricket-crazy, but male-obsessed Indian public, has made it finally! Despite the hurdles, despite lack of support and sponsorship (which is perhaps not even a fraction of what their male counterparts get), despite the general apathy of Indians towards women playing cricket, they have managed to create a permanent place in the history of women's cricket. Yes, they lost in the World-Cup finals, but what a tooth and nail resistance they gave to the far better-trained, seasoned English team. Skipper Mithali Raj, Jhulan Goswami, Harmanpreet Kaur, Smriti Mandana,Punam Raut, Deepti Sharma, Veda Krishnamurthy, have finally wrested recognition for themselves and for women's cricket from the Indian media and general public. They have managed to secure a place in our hearts with their bravura performance. Individual achievements have been exceptional, creating and breaking records on the ground. Whe

Some films shake you with their incisive humanistic take on a certain relevant topic, while keeping you on the edge of your seat with the thriller element. Mom is such a film. Dealing with rape and it's chilling aftermath, the film follows a mother's journey to get justice for her daughter. What happens when a parent fails to secure just punishment for her child's tormentors? Expecting justice from the Indian judicial system - riddled with gaping loopholes - that lets the criminal go scot-free while pointing a doubting finger at the victim, is like hoping for the impossible to happen. So the victim relives the horror and shame of the dastardly act again and again, while the law remains a mute spectator. And a family is shattered, and lives are destroyed just like that. Mom traces the journey of a mother, played with searing sensitivity by Sridevi, from law abiding citizen to avenging angel, who is pushed to the corner by an insensitive court and police. The film op