Shiuli in October - Transient Beauty
Image Source - IMDb Have you seen poetry on celluloid? A soft, lilting song playing out in slow motion? A story unpeeling itself, episode by episode? I have revisited Shoojit Sircar's exquisitely beautiful movie, October. The whole film unspools like poetry in motion. Each frame, each movement, each word adds to the lyrical quality of the touching film. And Shantanu Moitra's mellifluous background score brings it to life. I still can't get that haunting music out of my mind. Whoever would have thought a mainstream film - about a sudden, freak accident that sends the lead actress into coma could be so very ephemeral, so lyrical? Most part of the movie unfolds in a hospital room, amidst catheters, ECG machines, drips, and hospital beds. Yet, the way the director has handled this serious theme is spectacular. Celluloid lyricism, economy of expression The director works his magic through poetic frames, expressions, seamless transitions, verbal and non-verbal imagery. His stor