Skip to main content

Chitra Bannerjee Divakaruni - Lucid and Vivid Storytelling, Memorable Characters

An expatriate Indian writer, writing in English, tends to fall into the stereotype of diaspora story telling. Typical themes of diaspora writing are conflicting world views of Gen X and Y expats, settlement and adjustment issues, dealing with culture shocks, dealing with discrimination and racism, etc.

Very rarely do you find an author who brilliantly merges the worlds of traditional wisdom with an incisive view of the western way of thinking. So vivid are her characters, ranging from the rural Indian grandmother to the ultra modern disillusioned gen Y, from the academic in a state-of-the-art US university to the clerk in a modest sweet shop, from a wannabe beautician to a business magnate struggling with emotional issues, that one wonders where she gets her material from?

Some extraordinary stories abound in "One Amazing Thing", "Arranged Marriage and other Short Stories", "Queen of Dreams", "Before We Visit the Goddess", "Mistress of Spices" and many other gems from her collections. She has also written mythology based fiction, drawn from the Mahabharata, and Indian folklore, but her forte remains strong emotion-based, dramatic, heart-warming short stories. Set either in multi-cultural, cosmopolitan US, or in the backyard of Indian cities and towns, she can make any place familiar and real to the reader. And her protagonists remain etched in our minds long after the book is over.

She made me rediscover my love for reading and writing. When I feel low or disturbed, I think of her characters and how they deal with various adversities. As an author, she has slowly become a personal favourite.

Keep writing, Ma'am. Looking forward to many more touching stories from you!


Comments

Popular posts from this blog

Enough! No more rape!

The recent horrifying, stomach-churning incident in Kolkata is not a one-time aberration. It keeps occuring in our country. And we women are also responsible for this stinking rot in society. Ask yourself these uncomfortable questions. How many of you protest when a girl wearing "revealing clothes" is cat-called?  Did you show your support for our wrestlers protesting against a habitual offender? Did your blood boil when you saw pictures of our sisters in Manipur paraded naked?  When rapists are released from prison or routinely escape punishment, do you raise your voice? How many of you have tolerated violence or even casual sexism in your own home? Do you turn the other way when transgenders are leered at? Do you grin and bear it when the men in your family crack obscene jokes? Do Kathua and Hathras ring a bell? And lastly, how many of you thronged cinema halls to make misogynistic horrors like Animal and Kabir Singh blockbusters? I have asked myself and am distinctly feeli...

All We Imagine as Light- Lyricism on Celluloid

When an Indian film makes it the prestigious Cannes film festival, the world sits up and takes notice! And the lovely ladies swinging on the stage is a recent memory that brings a sense of pride. I had the good fortune to catch this film on screen recently. A review of such work is unnecessary, but still am bursting to say a few words. Right from the scintillating background score, to the events that unfold like pages fluttering in an open book, to the effortless performances, it's a masterpiece all right! The first half romances Mumbai- in the rains, at night, in the bazaars, in dingy rooms, in the local trains. Image source: Wikipedia  The second half shows what light truly is, brilliant sunshine, crashing waves and salty air in a small coastal village in Maharashtra. You can feel the taste of salt, the breeze in your hair and the touch of sand under your feet, the cinematography is so real. Payal Kapadia masters the art of holding back, of showing beauty in the mundane. The hosp...

Laapataa Ladies - the Unfortunate Story of Lost Women

Laapataa Ladies is a deceptively simple, yet extremely thought-provoking satire couched in a simple story of exchanged brides. Image Source: IMdB This is the unfortunate story of countless ordinary women living under the veil, in the shadow of uncaring men. Who can't remember any details of their husband or the sasural they are married into. Who are trained only to obey their husband, do their duty in the kitchen, and follow orders of in-laws. Who don't have the liberty to study or do something for their own betterment. What can we expect for such women, except a lifetime of slavery? If the husband happens to be good, then there's some ray of hope. If he's a rascal, then God save her. Thanks to Kiran Rao for addressing the woes of 80% of Indian women living in nameless villages. And thanks for calling out the "greatest fraud" - the fraud of getting ready for marriage and domesticity. Where you can make the perfect kalakand, but you can't find your way...